What in religion used to be dogmatic or of tranquilising manner, transformed in CYBER_essence into a configurable low-energy easy accessible reference.
In the future, CYBER_essence will provide the following building blocks:
MEANING, RESILIENCE, DIMENSIONAL ACCESS, MIND MATTER, VANISHING
Emotional lazyness, too much cybersex and gene degeneration.
The physical space of interaction between hUMANS and hUMANOIDS will be different. New dynamics of body movements and gestures emerge, others disappear. Would you like to touch the soft skin of a social robot? What happens if they touch you? Perceiving the other, creating sense or trust are experiences of and beyond imagination.
Collaboration with Guida Inês Maurício.
Europe, Berlin, China – 欧洲, 柏林, 中国
[1_we want hUMANOIDS to exist for the evolution of hUMANS]
[2_hUMANOIDS cohabit with hUMANS and have the chance for a happy life]
[3_hUMANOIDS equally have proper rights]
[4_by their existence hUMANOIDS have a soul]
[5_taking care of both hUMANS and hUMANOIDS is important]
[6_mariage of hUMANS and hUMANOIDS is allowed]
[7_implementation of hUMAN rights needs to be pursued]
<everybody is invited to extend and share this manifesto, but not to reduce its scope>
<CC Attribution-NonCommercial-ShareAlike 4.0 International License>
Charters for hUMAN Rights sketch out issues such as Dignity, Freedom, Equality, and Justice. But in practice their ideas remain unfulfilled in many parts of planet EARTH.
As for hUMANOIDS with social behaviour, nobody has a clear idea about their rights, because we struggle to identify their true nature.
“IPHONO BAROCCO” is an amusing cultural heritage project mixing baroque arias with synthesiser applications on tablets and smartphones. A selected sound editing of the most beautiful baroque and 19th century arias invites people to connect their device and fill blank spaces in the aria sequence with their own creation and intuition for tones and rhythm. Like in any orchestra the “musicians” need to listen and to feel what their fellow musicians are doing for creating an improvised composition, but this time without any conductor and solely guided by the aria track. As a result they follow more attentively the arias than in normal conditions for getting a better connection to the voices, subjects and emotions.